If you've been under a rock and haven't heard, Nick Cannon, actor, TV host, wouldbe rapper, and once owner of the million dollar TV show Wild n' Out was officially fired when Viacom cancelled him, his show, his podcast, and apparently his whole life after he made some less than tasteful comments. During an interview with Professor Griff, a radical commentator and once rapper, Nick Cannon made a few comments that some might perceive as a bit untasteful, including calling white people savages that lacked sympathy because they have no melanin and just for good measure, Nick also stated that the Jews were liars and evil. Nick would even mention the Rothchilds by name - referencing the notorious family as an example of the Jews unchallenged power and ruthlessness.
Nick, with his tin foil hat and all, then went on to say the blacks were the real Hebrews of the bible - and thus called all Jews liars and theives. Now, I'm not here to talk about whether or not what he said was right or wrong. I would instead like to show that regardless of what he said, Nick's situation proves that BLM is pointless because we know who runs the world. Here's the crazy thing - if Nick had of called whites savages and cave dwellers, like he did, and left it at that, as distasteful as that is, Nick would still have his job. Nick lost his job, his legacy, and now with his tragic apology, his manhood because he went after the Jews. That's a no-no. It's especially a no-no for black men or black people to speak ill against the Jews because of the power Jews exercise over black people.
There has been a legacy of Jews controlling black people and black lives. Throughout history Jews have always inserted themselves into black lives. In the 1500s they immersed themselves in the Trans-Alantic Slave Trade as body dealers, merchants of men, and traders of flesh (The Secret Relationship Between Blacks and Jews, 1991).
In the 1800s, as they single handedly financed the industrial revolution, they also helped finance both sides of the civil war, and most importantly worked with southern politicians on how to deal with their new "negro problem,"through the passing of laws that favored white slave owners (which many were), and extremely disfavored blacks. Some of these laws included reimbursing slaveowners for the property they lost (i.e. the enslaved) and laws that made it impossible for blacks to ask for backpay or restitution for their years of forced labor. During the most pivitol time for blacks, and how their futures would be shaped, Jews reigned in Congress, and instead of helping blacks they instead passed laws that would hurt blacks for generations https://en.wikipedia.org/wiki/List_of_Jewish_members_of_the_United_States_Congress.
It should also be noted that John Wilkes Booth, the assasin of Abraham Lincoln was believed to be of Spanish Jewish ancestory, many pointing to the fact that the surname Booth is Hebrew for tabernacle, and some other theories linking him to Jews. Licoln was assassinated just as he began to speak to black leaders about what should be done with the newly freed blacks. Ideas ranged from giving them 40-acres and a mule, to monetary payment, to giving them land in Africa to start a new life there. Of course all of these ideas would die with Lincoln.
Jews, who would often pass in and out of their Jewishness when it fit their convenience, were heavily involved in the media even at its inception. Although many directors and actors did not claim their Jewish roots, today it is widely admitted that most of the early American producers, directors, and actors were indeed Jewish. Many in hollywood say, "the American Dream is really the Jewish Dream," because much of the early American films that shaped American identity were actually Jewish films. One of these films was the 1915 KKK inspired "Birth of a Nation," which was financed by Jews and produced by the Jewish owned MGM studios. Birth of a Nation was America's first blockbluster films and it is said to be the film that made Jews the masters of media (https://www.jta.org/jewniverse/2017/this-1915-kkk-loving-film-built-a-jewish-movie-empire). Even the director, D.W. Griffith is believed to be a Jew.
The film potrayed blacks in the worst light possible. Black men, being potrayed by white men in blackface, were seen as drunks, incompetent, and savages waiting around every corner to rape white women. Black women, potrayed by white women in blackface, were shown as mischievous, wild tempered, and of course fat and ugly.
Does this seem ironically similar to how black people are currently potrayed in the Jewish owned media today? I don't believe in coincidences. The legacy of this film would be an unending era of white actors protraying and mocking black people and black suffering in black face and the actual rebirth of the KKK, that still exist to this day.
During the civil rights movement, Jews would finance peaceful protestors, like Martin Luther King, Jr. and silence other, less peaceful protestors, like Malcolm X who was never given the same media attention, speaking engagements, and money as King.
During the 1970s, at the heart of the black power movement, Jews would often interject themselves and their philosophies into the black organizations. It is believed that it was through Jewish influence that many black pather organizations adopted Karl Marx's (a Jew of course) Marxist and Communist ideologies and rhetoric. This move would irrefragably taint the black panthers and black power movement, as politicians and police could now target them not because of racial issues, but because their socialist, Communist beliefs were a threat to the American way of life.
During the 1980s, Jews would work tiredlessly to buy up nearly all of the emerging rap, R&B, and soul music producers and black independent record labels, and by the end of the 1990s, they would accomplish their goal. In the 2000s, they would do the same thing with black owned magazines, movie production companies, television shows, comedy shows, and even the hair product companies.
Here are the owners of nearly all rap music records (all of them Jewish):
This is quite an entanglement - and I haven't even mentioned the Jews involvement with blacks in the sports industry.
So was Nick right about the Jew? Maybe. But what I do know is that Jews have always owned black bodies, and Nick Cannon's quick dismissal proves that they still do. Jews seemed to not only be obsessed with black people but obsessed with controling every aspect of black peopole - from where blacks go, to how black people are potrayed in the media, to even what blacks think.The fact that Black Lives Matter, an organization that accomplishes nothing for the betterment of blacks, but instead futhers the notion of blacks as aggressors and savages, is owned and financed by Jews only futher validates this point. It seems that behind every sucessful looking black face the media potrays, there is a wealthy white Jew pulling the strings.
Nick, with his tin foil hat and all, then went on to say the blacks were the real Hebrews of the bible - and thus called all Jews liars and theives. Now, I'm not here to talk about whether or not what he said was right or wrong. I would instead like to show that regardless of what he said, Nick's situation proves that BLM is pointless because we know who runs the world. Here's the crazy thing - if Nick had of called whites savages and cave dwellers, like he did, and left it at that, as distasteful as that is, Nick would still have his job. Nick lost his job, his legacy, and now with his tragic apology, his manhood because he went after the Jews. That's a no-no. It's especially a no-no for black men or black people to speak ill against the Jews because of the power Jews exercise over black people.
There has been a legacy of Jews controlling black people and black lives. Throughout history Jews have always inserted themselves into black lives. In the 1500s they immersed themselves in the Trans-Alantic Slave Trade as body dealers, merchants of men, and traders of flesh (The Secret Relationship Between Blacks and Jews, 1991).
In the 1800s, as they single handedly financed the industrial revolution, they also helped finance both sides of the civil war, and most importantly worked with southern politicians on how to deal with their new "negro problem,"through the passing of laws that favored white slave owners (which many were), and extremely disfavored blacks. Some of these laws included reimbursing slaveowners for the property they lost (i.e. the enslaved) and laws that made it impossible for blacks to ask for backpay or restitution for their years of forced labor. During the most pivitol time for blacks, and how their futures would be shaped, Jews reigned in Congress, and instead of helping blacks they instead passed laws that would hurt blacks for generations https://en.wikipedia.org/wiki/List_of_Jewish_members_of_the_United_States_Congress.
It should also be noted that John Wilkes Booth, the assasin of Abraham Lincoln was believed to be of Spanish Jewish ancestory, many pointing to the fact that the surname Booth is Hebrew for tabernacle, and some other theories linking him to Jews. Licoln was assassinated just as he began to speak to black leaders about what should be done with the newly freed blacks. Ideas ranged from giving them 40-acres and a mule, to monetary payment, to giving them land in Africa to start a new life there. Of course all of these ideas would die with Lincoln.
Jews, who would often pass in and out of their Jewishness when it fit their convenience, were heavily involved in the media even at its inception. Although many directors and actors did not claim their Jewish roots, today it is widely admitted that most of the early American producers, directors, and actors were indeed Jewish. Many in hollywood say, "the American Dream is really the Jewish Dream," because much of the early American films that shaped American identity were actually Jewish films. One of these films was the 1915 KKK inspired "Birth of a Nation," which was financed by Jews and produced by the Jewish owned MGM studios. Birth of a Nation was America's first blockbluster films and it is said to be the film that made Jews the masters of media (https://www.jta.org/jewniverse/2017/this-1915-kkk-loving-film-built-a-jewish-movie-empire). Even the director, D.W. Griffith is believed to be a Jew.
The film potrayed blacks in the worst light possible. Black men, being potrayed by white men in blackface, were seen as drunks, incompetent, and savages waiting around every corner to rape white women. Black women, potrayed by white women in blackface, were shown as mischievous, wild tempered, and of course fat and ugly.
Does this seem ironically similar to how black people are currently potrayed in the Jewish owned media today? I don't believe in coincidences. The legacy of this film would be an unending era of white actors protraying and mocking black people and black suffering in black face and the actual rebirth of the KKK, that still exist to this day.
During the civil rights movement, Jews would finance peaceful protestors, like Martin Luther King, Jr. and silence other, less peaceful protestors, like Malcolm X who was never given the same media attention, speaking engagements, and money as King.
During the 1970s, at the heart of the black power movement, Jews would often interject themselves and their philosophies into the black organizations. It is believed that it was through Jewish influence that many black pather organizations adopted Karl Marx's (a Jew of course) Marxist and Communist ideologies and rhetoric. This move would irrefragably taint the black panthers and black power movement, as politicians and police could now target them not because of racial issues, but because their socialist, Communist beliefs were a threat to the American way of life.
During the 1980s, Jews would work tiredlessly to buy up nearly all of the emerging rap, R&B, and soul music producers and black independent record labels, and by the end of the 1990s, they would accomplish their goal. In the 2000s, they would do the same thing with black owned magazines, movie production companies, television shows, comedy shows, and even the hair product companies.
Here are the owners of nearly all rap music records (all of them Jewish):
This is quite an entanglement - and I haven't even mentioned the Jews involvement with blacks in the sports industry.
So was Nick right about the Jew? Maybe. But what I do know is that Jews have always owned black bodies, and Nick Cannon's quick dismissal proves that they still do. Jews seemed to not only be obsessed with black people but obsessed with controling every aspect of black peopole - from where blacks go, to how black people are potrayed in the media, to even what blacks think.The fact that Black Lives Matter, an organization that accomplishes nothing for the betterment of blacks, but instead futhers the notion of blacks as aggressors and savages, is owned and financed by Jews only futher validates this point. It seems that behind every sucessful looking black face the media potrays, there is a wealthy white Jew pulling the strings.
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